Direction Of The Heart is the first album of new material from Simple Minds since 2018’s outstanding UK Top 5 album Walk Between Worlds. Throughout its nine tracks, Direction Of The Heart finds the band at their most confident, anthemic best on a record that is an inspired celebration of life and that manages perfectly…
The first of this week’s pick of the pops is A Very Lonely Solstice, the new album from Fleet Foxes, which captures a poignant moment in time. The recording was originally broadcast as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency, tightening restrictions again…
Up The Bracket, the astonishing debut album by The Libertines, is being reissued to celebrate the 20th anniversary of its original release, in a remaster produced by Mick Jones (The Clash). Up The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang…
On The Beths’ new album, Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships – platonic, familial, romantic – and, more importantly, their aftermaths. The shapes and ghosts left in absences. The question…
There are some fantastic releases out this week. First, Foals take a fresh, thrilling new direction on Life Is Yours, the follow-up to the triumphant two-part Everything Not Saved Will Be Lost. The new album – with its disco-tinged guitars, tight syncopated rhythms and punchy, insistent hooks echoing the band’s roots as purveyors of rambunctious…
Has there been a busier musician over the last two years? A more prolific artist? More creative? More heroic? Tim Burgess – as self-effacing a band leader, solo star, label runner, repeat memoirist and all-round caffeinated can-do kid as you’ll find – would certainly shrink from that last accolade. “A hero??” he’d likely mutter with…
We kick off this week’s gems with Waysides, the third collection of songs from Los Angeles-based folk singer/songwriter Azniv Korkejian, who performs and records as Bedouine. The album summarises her creative headspace over the past year and a half, comprising some older material and a cover and tying together many songwriting threads that act as…
Take It Like A Man is a fearless confessional featuring 10 emotionally raw tracks from Amanda Shires, produced by the talented gender-fluid singer-songwriter and producer, Lawrence Rothman (Angel Olsen, Girl in Red, Courtney Love). Upon hearing Amanda for the first time Lawrence said: “I was just mesmerized. I thought she was the new Dolly Parton;…
This week’s selection kicks off with Diamond Star Halos, the brand-new album from Def Leppard and their first since 2015’s chart-topping self-titled record. Written by the band over the past two years, the album features 15 tracks including the anthemic, stadium-ready singles ‘Kick’ and ‘Fire It Up’, with guest vocals from Alison Krauss on ‘This…
Formed in Bellingham, WA in 1997, Death Cab For Cutie almost immediately entered the ranks of the era’s definitive bands, fueled in large part by the remarkable power of co-founder, vocalist, guitarist, and lead songwriter Benjamin Gibbard’s complex, often bittersweet songcraft. Asphalt Meadows, their tenth studio album, finds them exploring further into their own unique…
