{"id":3369,"date":"2024-04-26T17:30:13","date_gmt":"2024-04-26T16:30:13","guid":{"rendered":"https:\/\/hundredrecords.com\/blog\/?p=3369"},"modified":"2024-04-25T18:29:52","modified_gmt":"2024-04-25T17:29:52","slug":"new-releases-3may2024","status":"publish","type":"post","link":"https:\/\/hundredrecords.com\/blog\/new-releases-3may2024\/","title":{"rendered":"New releases for 3 May 2024"},"content":{"rendered":"

We kick off this week\u2019s smokin\u2019 six with The Red Clay Strays<\/strong>, who hail from the red-clay dirt of Mobile, Alabama, and have spent the past year trailblazing their musical path across the USA. Their debut album, Moment of Truth<\/em><\/strong>, has become a massive word-of-mouth success Stateside, driven by the breakout hit single \u2018Wondering Why\u2019. With their incendiary chemistry on stage and eclectic rock\u2019n\u2019roll sound, they\u2019re being hailed as one of the most exciting bands to break through in 2024. The band\u2019s hugely charismatic lead vocalist and guitarist Brandon Coleman \u2013 blessed with film-star good looks and the soulful vocals of a gospel confessional \u2013 becomes possessed on stage with the power of a Southern fire-and-brimstone preacher. It\u2019s no wonder that he\u2019s capturing hearts and souls wherever the band perform.<\/p>\n

\u2018Do One\u2019, the opening song on Frank Turner<\/strong>\u2019s new album, Undefeated<\/em><\/strong>, and its first single, is the song he wrote last of all. So it\u2019s a summation of what he\u2019s trying to say with this record: a record about survival and defiance, but also one with a sense of fun and self-deprecation. Undefeated<\/em> is Frank\u2019s tenth solo studio album, and it\u2019s fired by feelings of being both fortunate and proud to be in that position, and a new sense of energy and liberation 19 years into his solo career. It feels like a new chapter for him \u2013 after the pandemic, back in the independent world, the new line-up of the Sleeping Souls, and a slightly bewildered sense of gratitude that he\u2019s still standing, that he still has something to say.<\/p>\n

Funeral for Justice<\/em><\/strong>, the new album by Mdou Moctar<\/strong>, was recorded after two years spent touring the globe following the release of 2021\u2019s breakout album Afrique Victime<\/em>. The new album captures the Nigerien quartet in ferocious form: the music louder, faster and more wild. The guitar solos are feedback-scorched and the lyrics are passionately political. Nothing is held back or toned down. The songs on Funeral for Justice<\/em> speak unflinchingly to the plight of Niger and of the Tuareg people. \u201cThis album is really different for me,<\/em>\u201d explains Moctar, the band\u2019s singer, namesake, and indisputably iconic guitarist. \u201cNow the problems of terrorist violence are more serious in Africa. When the US and Europe came here, they said they\u2019re going to help us, but what we see is really different. They never help us to find a solution.<\/em>\u201d<\/p>\n

Kamasi Washington<\/strong> calls Fearless Movement<\/em><\/strong> his dance album. \u201cIt\u2019s not literal,<\/em>\u201d he says. \u201cDance is movement and expression, and in a way it\u2019s the same thing as music \u2013 expressing your spirit through your body. That\u2019s what this album is pushing.<\/em>\u201d This signals a shift in focus for Washington: where previous albums dealt with cosmic ideas and existential concepts, Fearless Movement<\/em> focuses in on the everyday, an exploration of life on earth. This change in scope is due in large part to the birth of Washington\u2019s first child a few years ago. The album features Washington\u2019s daughter \u2013 who wrote the melody to \u2018Asha the First\u2019 during some of her first experimentations on the piano \u2013 as well as a host of collaborators new and old: Andr\u00e9 3000 appears on flute and George Clinton lends his voice, as do BJ The Chicago Kid, Inglewood rapper D-Smoke and Taj and Ras Austin of Coast Contra, the twin sons of West Coast legend Ras Kass. Washington further enlisted lifelong friends and collaborators Thundercat, Terrace Martin, Patrice Quinn, Brandon Coleman, DJ Battlecat and more.<\/p>\n

Hailing from a place of ancient mariners\u2019 secret coves and vast moors beaten by the wind and rain, Backwater Collage<\/em><\/strong> is the first solo album from James Hoare (Veronica Falls, The Proper Ornaments and Ultimate Painting) under the name of Penny Arcade<\/strong>. Having left London to return to the west country he grew up in, he is no stranger to the scene; he has been wandering around as if awakened from a long, not-so-peaceful sleep for some time now. The eleven intimate and solitary songs which make up this dreamy, hand-stitched album \u2013 delivered in the greatest home recording tradition \u2013 are, nonetheless. cautiously produced. James unfurls pure, uncluttered melodies in which his gentle, melancholic voice mingles with smooth, warm vocals by Nathalia Bruno. Barely saturated guitar solos sometimes disrupt the clear, unpolished musical line. Hopping on board, long-time friend Max Claps adds keyboard parts that manage to embrace the minimal nostalgia of the tracks while preventing any teary pathos. Similar to Jack Name or Syd Barrett \u2013 only less psychedelic \u2013 in terms of songwriting and stripped-back atmosphere, Hoare is sitting on the Velvet Underground\u2019s black-and-white sofa and gives his album a subterranean feel. At times restless but light-footed, deprived of any unnecessary effects, the record follows in the steps of a less noisy but just as raw and unadorned Jesus and Mary Chain.<\/p>\n

Our release of the week is Fragile as Humans<\/em><\/strong> \u2013 written and recorded as Emily Barker<\/strong>\u2019s time living in the UK was coming to a close \u2013 on which she turns her lyrical gaze inwards. The expansive themes of her previous album, A Dark Murmuration of Words<\/em>, are replaced by an empathetic concern for matters more personal, familial, closer to home. The ten songs take us on a deep dive into the human condition: an unflinching self-examination of grief, pain, loneliness and loss, at the same time sparkling with hope and optimism. As Emily writes in the album\u2019s pivotal title track, we live lives of complexity, grappling with loneliness and disconnection, searching for compassion, connection and community \u2013 we are all \u201cfragile as humans and made of who we love\u201d.<\/p>\n

\"Emily<\/a>\"The<\/a>\"Frank<\/a>\"Mdou<\/a>\"Kamasi<\/a>\"Penny<\/a><\/div>\n

Click on an image to order your copy.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

We kick off this week\u2019s smokin\u2019 six with The Red Clay Strays, who hail from the red-clay dirt of Mobile, Alabama, and have spent the past year trailblazing their musical path across the USA. Their debut album, Moment of Truth, has become a massive word-of-mouth success Stateside, driven by the breakout hit single \u2018Wondering Why\u2019.…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3,159],"tags":[871,299,1880,1189,1538,36,1879,1878],"class_list":["post-3369","post","type-post","status-publish","format-standard","hentry","category-music","category-new-releases","category-promotions","tag-emily-barker","tag-frank-turner","tag-james-hoare","tag-kamasi-washington","tag-mdou-moctar","tag-new-release","tag-penny-arcade","tag-the-red-clay-strays"],"_links":{"self":[{"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/posts\/3369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/comments?post=3369"}],"version-history":[{"count":1,"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/posts\/3369\/revisions"}],"predecessor-version":[{"id":3370,"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/posts\/3369\/revisions\/3370"}],"wp:attachment":[{"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/media?parent=3369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/categories?post=3369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hundredrecords.com\/blog\/wp-json\/wp\/v2\/tags?post=3369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}